And he was too old to be on "Our Miss Brooks" on TV. Part Deux, the remake of Sabrina, and The Flamingo Kid. [2], The reviewer for Copley News Service wrote that he did not believe in the relationship (between Crenna and Peters). This article is about the American sitcom. He loved the creative process. 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Goldenson on airing the McCarthy Hearings in their entirety on ABC, Lewis Gomavitz on the Hollywood Blacklist, Julian Goodman on the Hollywood Blacklist and McCarthyism and Herbert Hoover telling him a Communist was working on one of his shows, Lee Grant on her relationship with Arnold Manoff and their experiences with the Hollywood Blacklist, Lee Grant on testifying before the House Un-American Activities Committee, Lee Grant on her friends and co-workers reaction to having been blacklisted, and on what her life was like when she was on the blacklist, Lee Grant on the fate of her then-husband Arnold Manoff, who'd been blacklisted, and on how other writers and actors dealt with the Hollywood Blacklist, Lee Grant on her feelings on those who named names to the House Un-American Activities Committee like Elia Kazan, and on the end of the blacklist, Lee Grant on how the Hollywood Blacklist effected television as a whole, Director Walter Grauman on hiring formerly blacklisted actor Jeff Corey on, Everett Greenbaum onthe Hollywood Blacklist, Earl Hamner on the effect of the Blacklisting era, Jeffrey Haydenon the Hollywood Blacklist and how he helped actor Will Geer, Lyle "Skitch" Henderson on the Hollywood Blacklist, Paul Henning on recollections of the Hollywood Blacklist, Louis J. Horvitz on Elia Kazan's Honorary Oscar in 1999, Roy Huggins on joining the Communist Party, Roy Huggins on how his communist leanings impactedthe workhe was doing as a novelist, Roy Huggins on writing the feature film "Hangman's Knot" and being placed on the Hollywood Blacklist, Roy Huggins on writing and directing the feature "Hangman's Knot" despite being blacklisted, Roy Huggins on being subpoenaed by the House Un-American Activities Committee (HUAC) and naming names, Kim Hunter on being blacklisted in the 1950s, Herb Jellinek on ABC's coverage of the Senator Joseph McCarthy hearings, Joseph Jennings on the Hollywood Blacklist, Russell Johnson on being questioned about his politics because of his name, Lamont Johnson on working with Fay Wray, and on the Hollywood Blacklist, Lamont Johnson on being on the Hollywood Blacklist, and on producer Albert McCleery disregarding it to hire him, Lamont Johnson on dealing with the Hollywood Blacklist, and later directing many issue-oriented shows like, Robert Justman on the Hollywood Blacklist, Rocky and Irma Kalish on the impact of the Hollywood Blacklist, Sidney M. Katz on editing Edward R. Murrow's, Sidney M. Katz on dealing with Hollywood Blacklist, Ernest Kinoy on the McCarthy era and the Blacklist episode of, Ernest Kinoy on the Hollywood Blacklist and, Ernest Kinoy on the Hollywood Blacklist and Red Channels, Jeff Kisseloff on interviewing former president of CBS Frank Stanton about the Hollywood Blacklist, Jeff Kisseloff on covering controversial topics like the Blacklist for his book "The Box: An Oral History of Television, 1929-1961", Jeff Kisseloff on Edward R. 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Lloyd onhis recollections of the Hollywood Blacklist, Sidney Lumet on his experience with the Hollywood Blacklist, Sidney Lumet on individuals that were targeted by the Hollywood Blacklist, including Walter Bernstein, and on blacklisted writers, Sidney Lumet on various television scripts that were covertly about the Hollywood Blacklist, Stewart MacGregory on the Hollywood Blacklist, Robert MacNeil on the Hollywood Blacklist, Loring Mandel on the Hollywood Blacklist, and on casting blacklisted actors on, Delbert Mann on how his career was affected by the Hollywood Blacklist, Martin Manulis on the Hollywood Blacklist, Bob Markell on how the Blacklist affected the cast and crew of, Leslie H. Martinson on the Hollywood Blacklist, Bob McGrath on one of his first times seeing television - the McCarthy hearings, Jayne Meadows on the Hollywood Blacklist: on her sister Audrey meeting Sen. McCarthy and how Mark Goodson protected his actors, Jayne Meadows on how her sister Audrey Meadows got hired on, Anne Meara on her recollections of the Hollywood Blacklist, Sig Mickelson on his experiences with the Hollywood Blacklist at, Sig Mickelson on the publication "Red Channels," and on the Hollywood Blacklist, Sig Mickelson on signing a loyalty oath for, JP Miller on the Hollywood Blacklist, and on his friend Zero Mostel's experience with the Blacklist, Vic Mizzy on not having any involvement with the Hollywood Blacklist, Bill Monroe on Senator Joseph McCarthy and the Communist witch hunts of the 1950s, Thomas W. Moore on the Hollywood Blacklist, Millie Moore on her first film as a full editor, working for Dalton Trumbo on "Johnny Got His Gun", Harry Morgan briefly on the Blacklist (he was neighbors with Lionel Stander in later years), Tony Mottola on not being affected by the Hollywood Blacklist, Leonard Nimoy on actor Jeff Corey's blacklisting, and how Nimoy became involved in teaching as an indirect result, Dick Van Patten on his memories of the Hollywood Blacklist, Daniel Petrie, Sr. on dealing with the Hollywood Blacklist, David Pollock on his father being on the Hollywood Blacklist, Abraham Polonsky on the Hollywood Blacklist, Abraham Polonsky on testifying before the House Un-American Activities Committee, Abraham Polonsky on Elia Kazan's testimony before the House Un-American Activities Committee, and on working in the aftermath, Abraham Polonsky on using pen names during the Hollywood Blacklist, Abraham Polonsky on his career after the Hollywood Blacklist, Abraham Polonsky on Elia Kazan, if the Hollywood Blacklist could happen again, and on his and his family's politics, David Pressman on learning his was blacklisted and being fired from, David Pressman on being blacklisted; on teachingat Boston University from 1954-1959 during his unemployment; on then running the Neighborhood Playhouse; on the end of the blacklist; on trying to get jobs in television during the blacklist period; on David Susskind hiring him for television, David Pressman on how being blacklisted affected him, David Pressman on the Hollywood Blacklist happening again, Charlotte Rae on her experience with the Hollywood Blacklist, Joyce Randolph on Audrey Meadows replacing Pert Kelton in the cast of, Carl Reiner on blacklisted writer, Frank Tarloff and his own experience with the Blacklist, Del Reisman on the advent of the Hollywood Blacklist, and on being asked to sign a "loyalty oath" for NBC, Del Reisman on getting an internal memo from CBS with names of writers and actors they were forbidden to hire because of their blacklisted status, Del Reisman on the Screenwriters Guild's participation in the Hollywood Blacklist, Del Reisman on the use of "fronts" to get around the Hollywood Blacklist, Del Reisman on how the Hollywood Blacklist impacted him, and on the end of the blacklist era, Del Reisman on the Writers Guild getting restitution for formerly blacklisted writers, John Rich on the Hollywood Blacklist (and witnessing an actor being fired during a reading of an episode of, Hank Rieger on United Press covering the Hollywood Blacklist, Cliff Robertson on his recollections of The Hollywood Blacklist, Andy Rooney on his encounter with the Blacklist while he was at CBS, Marion Ross on her very limited experience of the Hollywood Blacklist, Aaron Ruben on getting a subpoena to testify during the Hollywood Blacklist, Marlene Sanderson her recollections of the Hollywood Blacklist, Jay Sandrich on his memories of the Hollywood Blacklist and some colleagues who were affected, and why Lucille Ball was accused of being a Communist, Joseph Sargent on his experience with the Hollywood Blacklist, Edgar Scherick on his experiences with the Blacklist, Bob Schiller and Bob Weiskopf on their recollections of the Hollywood Blacklist, Arthur Schneider on his experience with the Hollywood Blacklist, and on NBC's colorblind test, Alfred Schneider on dealing with the Hollywood Blacklist as an executive at CBS, Daniel Schorr on covering the McCarthy hearings, William Self on dealing with the Hollywood Blacklist as a producer, Ralph Senensky on his experiences with McCarthyism and the Blacklist, Mel Shavelson on Bob Hope doing jokes about Senator Joseph McCarthy, Mel Shavelson on his experience with the Hollywood Blacklist and on the societal impact of television, James Sheldon on nearly being fired because of a mix up involving another man named James Sheldon during the Hollywood Blacklist era, James Sheldon on why he doesn't remember many details of the Blacklist era, Sidney Sheldon on his recollections of the Hollywood Blacklist, Doris Singleton on the Hollywood Blacklist and, Dick Smith on being warned about the Hollywood Blacklist, Sid Smith on recollections of the Hollywood Blacklist, Tom and Dick Smothers on hiring blacklisted singer Pete Seeger, Aaron Spelling on the Hollywood Blacklist, Lynn Stalmaster on dealing with the Hollywood Blacklist as a casting director, Frank Stanton on Edward R. Murrow's commentary on Senator Joseph McCarthy, Frank Stanton on the policies invoked at CBS during the blacklist period, and on the loyalty oath, Frank Stanton on CBS and the Hollywood Blacklist, Jean Stapleton on John Randolph and others standing up to the Hollywood Blacklist, Ben Starr on his recollections of the Hollywood Blacklist, Leonard Stern on how Jackie Gleason fought for an actress who was supposed to play "Alice" on, Bob Stewart on finding out about the Blacklist when Abe Burrows was discussed as a possible radio show guest but denied because he was "in the book", Jerry Stiller on his memories of the Hollywood Blacklist, Gale Storm on her memories of how the Blacklist affected the entertainment industry, John Strauss on speaking to newspaper columnist Hedda Hopper on behalf of actor Sterling Hayden when he was suspected of being a Communist, William Tankersley on his involvement with the CBS loyalty oath and the Hollywood Blacklist, Studs Terkel on how the Hollywood Blacklist ended his budding career in television, Studs Terkel on being blacklisted and working with gospel singer Mahalia Jackson, Richard Thomas on working with Will Geer and Ellen Corby as "Grandma and Grandpa Walton" on, Stanford Tischler on not knowing any editors affected by the Hollywood Blacklist, Robert Trout on the Communist blacklist of the 1950s, Robert Vaughn on McCarthyism and the Hollywood Blacklist; on his dissertation on the Blacklist, Robert Vaughn onhis stage role as Dalton Trumbo, one of the Hollywood Ten, and what blacklisting means today, Ellen M. Violett on her experience with the Blacklist of the 1950s, Mike Wallace on the era of the Hollywood Blacklist, Joseph Wershba on CBS reporter Don Hollenbeck committing suicide after having been accused of Communist sympathy, Joseph Wershba on CBS reporter Don Hollenbeck committing suicide after having been accused of Communist sympathies, Joseph Wershba on Edward R. Murrow's "A Report on Senator Joseph R. McCarthy" on, Ethel Winant on dealing with the network on casting blacklisted actors and minorities on television in the '50s, Ethel Winant on dealing with the Hollywood Blacklist on shows like, Perry Wolff on dealing with the Hollywood Blacklist, Jane Wyatt on her recollections of the Hollywood Blacklist and her involvement with the CFA (Committee for the First Amendment), Jane Wyatt on protesting the Hollywood Blacklist, Jane Wyatt on learning she had been blacklisted, Jane Wyatt on why she believes the Blacklist era happened, Bud Yorkin on dealing with the Hollywood Blacklist and, Frederic Ziv on his recollections of the Hollywood Blacklist, Editorial Calendar and Production Schedule, Television Academy Throwback: Richard Rodgers, Academy Releases Annual Transparency Report on Diversity, Equity, Inclusion and Accessibility, Three-Time Emmy Winner Sally Field to Receive SAG Life Achievement Award, The Interviews: An Oral History of Television, The Power of TV: Reshaping Breast Cancer Narratives.
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